Pointing at the Moon is a commissioned work for the exhibition Space City: Art in the Age of Artemis at Asia Society Texas in Houston.

The two large paintings at the center of the space depict the near and far sides of a full Moon. Their surfaces, constructed from a patchwork of fabrics, evoke the composite satellite images that now provide us with high-resolution lunar maps. The scale of these works is meant to inspire a sense of intimacy, wonder, and understanding. The Moon, our steadfast companion, endlessly cycles through its phases while maintaining an unwavering rhythm. Yet, despite our unprecedented knowledge of it, much of the Moon remains a mystery.

The accompanying series, Portals 1–7, further explores our evolving perception of the Moon. Each painting recreates a historical depiction of Earth’s only natural satellite, symbolizing humanity’s enduring fascination—like fingers pointing toward the Moon. One piece in the series diverges from this theme, instead reimagining an image of the Buddhist monk Hotei, originally painted by Fūgai Ekun (1568–1654).

Over the course of the exhibition, the work was installed in two different locations.